http://bearalley.blogspot.se/

Kärleken till boken

http://www.svd.se/kultur/karleken-till-boken_7783412.svd

Krilonakterna

http://sverigesradio.se/sida/default.aspx?programid=965

Oscar Wilde-citat

“Be yourself; everyone else is already taken.” - Oscar Wilde

The Art of Worldly Wisdom, by Balthasar Gracian,

http://www.sacred-texts.com/eso/aww/aww10.htm

A Child's Christmas in Wales

http://www.poemhunter.com/poem/a-child-s-christmas-in-wales/

http://www.youtube.com/watch?v=jbCVKEUkQzc http://www.youtube.com/watch?v=2HcQ_IveQCI&NR=1&feature=endscreen

Louis Prima

http://www.youtube.com/watch?v=YXYRkp2HZto&playnext=1&list=AL94UKMTqg-9DMciSPrfK0cLw4mV_yCFP2

The lamp is burnin' low upon my table top The snow is softly falling The air is still in the silence of my room I hear your voice softly calling If I could only have you near To breathe a sigh or two I would be happy just to hold the hands I love On this winter night with you The smoke is rising in the shadows overhead My glass is almost empty I read again between the lines upon each page The words of love you sent me If I could know within my heart That you were lonely too I would be happy just to hold the hands I love On this winter night with you The fire is dying now, my lamp is growing dim The shades of night are lifting The morning light steals across my window pane Where webs of snow are drifting If I could only have you near To breathe a sigh or two I would be happy just to hold the hands I love On this winter night with you And to be once again with you Just like birds of a feather We too have followed the golden sun It feels so good, Knowin' the watchman's gone If I give you a rose, buddy Would you please bury it in the fields? I seen a rose Watchin' it all fold out There's a train down at the station It's come to carry my bones away Two engines on Twenty-one coaches long End to end Twenty-one coaches bend The watchman's out Kickin' the bums about If I wait for the right moment You can bet I'll climb aboard unseen I've done it before I know I can do it in my sleep The watchman's out Kickin'the bums about The watchman's out Kickin' your dreams about As I leave you in the sunset Got one more nothin' I'd like to say "You don't know me A son of the sea am I" As I say to you, my brother If you live to follow the golden sun You better beware Knowin' the watchman's always there If you find me feedin' daisies Please turn my face up to the sky And leave me be Watchin' the moon roll by Whatever I was You know it was all because I've been on the town Washin' the bullshit down The watchman's out Kickin' your dreams about It feels so good Knowin' the watchman's gone It's like a song Knowin' the watchman's gone.

Led Zeppelin cover band

More baths less talking

Two books on happiness

Handbags and gladbags

I would be much pleased to see some heroic, shrewd, fully-informed, healthy-bodied, middle-aged, beard-facedAmerican blacksmith or boatman come down from the West across the Alleghanies, and walk into the Presidency, dressed in a clean suit of working attire, and with the tan all over his face, breast, and arms; I would certainly vote for that sort of man, possessing the due requirements, before any other candidate.

La Pia de' Tolomei, by Dante Gabriel Rosetti [1868-80] (Public Domain Image)

Lana del Ray

Om du nånsin kommer fram till Samarkand

Höstvisa

Lästips

http://www.axess.se/

Mati Klarwein

http://www.matiklarweinart.com/en/mati-klarwein-gallery.htm

Citat

The Art and Craft of Story Architecture

Story structure is the sequence of your scenes that result in a story well told.

Story architecture is the empowerment of those scenes through compelling characterizations, powerful thematic intentions, a fresh and intriguing conceptual engine and a writing voice brings it all to life with personality and energy.

Structure is craft.  It can be studied, learned, practiced and implemented.  It is not talent-dependent (talent being a relative and elusive term), it is effort-dependent andknowledge-dependent.

Architecture is art.  It, too, can be studied, learned, emulated and implemented.  It istalent-dependent, with the acknowledgement that talent itself can be cultivated and evolved through learning and practice. 

Not every writer is born to be John Updike.  But every writer can bring architecture to their story, provided they open themselves to it.  Provided they don’t ascribe to thethere-are-no-rules school of writing and immerse themselves in the proven truths that successful writers validate on every shelf in every bookstore you’ve ever been in.

Story architecture, in this sense, is what separates a story from the crowd.  It is the differentiator between non-published and published writing.

Gravity sucks.  Always has, always will.  And that’s not a bad thing.

Especially when you think of it this way: gravity is what empowers us to dance.

http://storyfix.com/story-structure-vs-story-architecture-“dude…-what’s-the-diff”

"Matnyttigt"

http://writetodone.com/